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Speak, Memory

Vladimir Nabokov

Paperback | Pages: 255 pages

Rating: 4.19 | 11264 Users | 814 Reviews

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Title	:	Speak, Memory
Author	:	Vladimir Nabokov
Book Format	:	Paperback
Book Edition	:	Deluxe Edition
Pages	:	Pages: 255 pages
Published	:	October 2000 by Penguin (first published April 1951)
Categories	:	Nonfiction. Autobiography. Memoir. Biography. Classics. Cultural. Russia

Rendition During Books Speak, Memory

From one of the 20th century's great writers comes one of the finest autobiographies of our time. Speak, Memory, first published in 1951 as Conclusive Evidence and then assiduously revised in 1966, is an elegant and rich evocation of Nabokov’s life and times, even as it offers incisive insights into his major works, including Lolita, Pnin, Despair, The Gift, The Real Life of Sebastian Knight, and The Luhzin Defense.

One of the 20th century’s master prose stylists, Vladimir Nabokov was born in St. Petersburg in 1899. He studied French and Russian literature at Trinity College, Cambridge, then lived in Berlin and Paris, where he launched a brilliant literary career. In 1940 he moved to the United States, and achieved renown as a novelist, poet, critic, and translator. He taught literature at Wellesley, Stanford, Cornell, and Harvard. In 1961 he moved to Montreux, Switzerland, where he died in 1977.

Particularize Books Concering Speak, Memory

Original Title:	Speak, Memory
ISBN:	0141183225 (ISBN13: 9780141183220)
Edition Language:	English
Characters:	Vladimir Nabokov

Rating Of Books Speak, Memory

Ratings: 4.19 From 11264 Users | 814 Reviews

Column Of Books Speak, Memory

Vladimir Nabokov was the Niles Crane of 20th-century literature: snooty, fastidious, and comically inept at being a normal guy. (And its part of his fastidiousness that he would have despised my handy, pop-culture analogy). Even his ailments had something snobbish about them. I mean, synesthesia? Who has that? And what kind of douche decides that sleep is too plebeian? Would it have been so hard to come down with herpes and depression like everyone else?Needless to say, Speak, Memory is one of

Οι αυτοβιογραφίες λογοτεχνών δεν με ενθουσιάζουν ως είδος. Σύμφωνα με τη δική μου οπτική, αυτό που έχει σημασία είναι πάντα και πρώτιστα το έργο και όχι οι απόψεις, οι προσωπικότητες ή τα πεπραγμένα τους. Δεδομένου μάλιστα πως πλήττω αφόρητα ιδίως με την παράθεση στιγμών από την παιδική ηλικία, αποφεύγω να αναλώνω πολύτιμο χρόνο σε κάτι που εκ προοιμίου θεωρώ ανούσιο. Οφείλω όμως να τονίσω πως τα προηγηθέντα δεν ισχύουν στην περίπτωση του "Μίλησε μνήμη", καθότι πρόκειται για μια αμιγώς

This book is amazing, not for the story it tells but for how that story is written. It consists of essays written and published at different times and places, but it all holds together. Each chapter follows the other in basically chronological order. Let the author speak for himself:For the present final edition of Speak Memory I have not only introduced basic changes and copious additions into the initial English text, but have availed myself of the corrections I made while turning it into

"Da allora in poi, per parecchi anni, finché scrivendo un romanzo non riuscii a liberarmi di quella feconda emozione, ho continuato a equiparare la perdita del mio paese alla perdita del mio amore." Non ho trattato bene questo libro. Sono stato cattivo nei suoi confronti. L'ho iniziato verso la fine dello scorso anno scolastico, poi l'ho ripreso verso la fine di questo e infine oggi l'ho concluso. È un libro meraviglioso, non c'è dubbio. Tuttavia la sua pesantezza lo rende una lettura di

My old (since 1917) quarrel with the Soviet dictatorship is wholly unrelated to any question of property. My contempt for the émigré who hates the Reds because they stole his money and land is complete. The nostalgia I have been cherishing all these years is a hypertrophied sense of lost childhood, not sorrow for lost banknotes.And that is what this collage of memories is all about. It is not a conventional autobiography. It doesn't present a chronological account of Nabokov's life, nor does it

This is a beautifully evocative memoir, consisting of the personal recollections of Nabakov, recalling his childhood in Imperial Russia . Nabakov was born in 1899 to a family who were not only members of the aristocracy, but heavily involved in politics. His father was a liberal, who opposed the Tsar and, in fact, as his grandmother wryly pointed out, was working to bring down the way of life which would eventually see him exiled and virtually pennilessHowever, this is certainly not a memoir

Disgusting that a somebody could be such an amazing writer. (And this is a person born in Russia, writing in English!) The word "genius" seems to come up a lot when people speak of Nabokov. Having read this, I now understand.It took me some time to become used to the way he writes. Nabokov often does not seem to care if his point is immediately clear to the reader. Some of the gems I found in this book I could just as easily have missed in a quicker read. So close attention is rewarded. Also